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poetrywivenhoe
Reviews
May
to
July
2007
by
Peter Kennedy
Note: This article was first published in the Autumn 2007 edition of
Wivenhoe News.
Adams and
Wilson
At only its third event — at the Greyhound on 17
May — poetrywivenhoe
was already looking like a success story.
Philip Wilson opened the evening's readings with two
translations; mythological and literary origins were to the fore; later
came his eerie and effective Judging
the Scarecrow Competition.
Derek Adams pitched straight in with an exposition of
the Sabattier effect in photography. He read with both gravitas and humour
from his Postcards to Olympus, a
collection of poems derived from images of Greek mythology.
"Hector was really put upon by his bastard brother" said
Adams
. After a hard-hitting poem
about the imprisoned Tibetan nun, he lightened the mood with Graffiti, and finished up with Odysseus
in London describing the journey of a wayward whale.
Both Wilson and Adams were hugely appreciated by the
audience; a superb evening's poetry.
Schneider
and May
The evening of June 21 was a warm one, and rich in
poetry.
Adrian May says he is known less for his poems than
for his song writing, yet he transported us from the warmth of June to the
cool Snow on St Leonard's Hythe Hill
2000; then to the world of creative writing with Writing
Group 8 Submissions. A
poem about the murdered women of
Ipswich
was powerful; later, he brought the house down with a poem about how you
say "okay".
Myra Schneider has by now published nine books of
poetry, and several children's books; her poetry is wide ranging and
accessible. "There is
something very satisfying in writing about food" she said, and
treated us to a wonderful word portrait of an aubergine; then a memory of
wartime rationing, of cinnamon, and of her father.
When
Myra
had a mastectomy for breast cancer she found writing to be hugely
therapeutic; from Amazon:
"I raised my shield of glistening words".
She uses words quite beautifully, and they can strike deep —
in Openings she speaks of
the young men who fell on the mudfields of the
Somme
"their lives blown away like dandelion clocks".
Myra
left the audience with their heads full of imagery; but she was not
allowed to go without an encore. "I'm
not used to being asked to read another poem" she protested.
"This is Wivenhoe!" someone called out from the audience.
Parkin
and Tackling
19 July at the Greyhound, and Dean Parkin was
introduced as "a poet on the borderline" for no better reason
than that he lives in Norfolk with a Suffolk postcode — or perhaps the
other way about. He currently
works for the Poetry Trust. We
think he's great.
He won the audience over from the start, with some
poems from his collection Irresistible
to Women. A narrative poem
Third Wish told us that
"it's a sorry day when a man doesn't feel safe in his own pyjamas".
Tony Tackling, support poet, started quite strongly
with his descriptive poems
Wivenhoe
Park
and Dolphin Curtains. But an
ill-judged assault on the boundaries of good taste took both audience and
compere completely aback. One
can sense that a debate over selection v
censorship may be in the offing.
The open-mic session, which is now well established,
produced some half a dozen entertaining poems read from the floor.
Then Dean Parkin, with warm good humour, produced a poem about
jogging, and The Waiting Room
... and "I'm going to finish with some audience participation"
which he did, to everyone's great delight.
Peter Kennedy
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